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Information About Clown Noses

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Don't you just love those big ole clown noses? Or, maybe you don't, and you have a fear of clowns and their big honkers. Hopefully, you'll find some good information here and maybe some humurous information about clowns and their noses.

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Clowns are comic performers stereotypically characterized by the grotesque image of the circus clown's colored wigs, stylistic makeup, outlandish costumes, unusually large footwear, and red nose, which evolved to project their actions to large audiences. Other less grotesque styles have also developed, including theatre, television, and film clowns. Peter Berger writes that "It seems plausible that folly and fools, like religion andmagic, meet some deeply rooted needs in human society". For this reason, clowning is often considered an important part of training as a physical performance discipline, partly because tricky subject matter can be dealt with, but also because it requires a high level of risk and play in the performer.


Coulrophobia

The term coulrophobia has been proposed to denote an abnormal, exaggerated,or irrational fear of clowns. The term is of recent use but is not commonly used in psychology, and according to one analyst, "has been coined more on the Internet than in printed form because it does not appear in anypreviously published, psychiatric, unabridged, or abridged dictionary".

It is common for children to be afraid of disguised, exaggerated, or costumed figures. In the Space To Care study aimed at improving hospital design for children, researchers from the University of Sheffield polled 250 children regarding their opinions on clowns; all 250 children in the study, whose ages ranged between four and sixteen, reported that they found clowns frightening and disliked clowns as part of hospital decor.

Clown costumes tend to exaggerate the facial features and some body parts, such as hands and feet and noses. This can be read as monstrous or deformed as easily as it can be read as comical.

Types of Clowns

Rodeo Clown

A rodeo clown is a cowboy, or animal wrangler, dressed in wild costumes. They are used in bull riding competitions where their primary job is to distract the bull from the rider when the rider dismounts either at the conclusion of the ride (typically 8 seconds) or by being thrown before the conclusion of the ride. Rodeo clowns are also referred to as bull fighters and cowboy protection within rodeo circles.

Rodeo clowns usually work in pairs or in threes and move towards the bull, waving and yelling to attract the bull's attention to themselves as soon as a bull rider dismounts or is thrown from the bull. This action allows the rider to escape to safety. In situations where a rider becomes entangled and unable to free him or herself from the bull, the rodeo clowns put themselves at risk by rushing to the bull and placing themselves between the bull's horns and rider while at the same time attempting to free the rider from bull. Many modern rodeos will showcase rodeo clowns by featuring them in a segment separate from bull riding where the clowns demonstrate their bull fighting prowess by directly confronting bulls, jumping over them and using other specialized evasive maneuvers.

Whiteface

A whiteface clown usually wears classic whiteface makeup; however, a character can wear traditional whiteface makeup and be an auguste. Traditionally, the whiteface clown uses "clown white" makeup to cover his or her entire face and neck with none of the underlying flesh color showing. In the European whiteface makeup, the ears are painted red. Features, in red and black,are delicate. He or she is traditionally costumed far more extravagantly than other clown types, sometimes wearing the ruffled collar and pointed hat which typify the stereotypical "clown suit". The whiteface character-type is often serious, all-knowing (even if not particularly smart), bossy and cocky. He is the ultimate authority figure. He serves the role of "straight-man" and sets up situations that can be turned funny.

Auguste

The auguste face base makeup color is a variation of pink, red, or tan rather than white. Features are exaggerated in size and are typically red and black in color. The mouth is thickly outlined with white (called the muzzle) as are the eyes. The auguste is dressed (appropriate to character) in eitherwell-fitted garb or in a costume that does not fit – either oversize or too small is appropriate. Bold colors, large prints or patterns, and suspenders often characterize auguste costumes. The auguste character-type is often an anarchist, a joker, or a fool. He is clever and has much lower status than the whiteface. Classically the whiteface character instructs the auguste character to perform his bidding. The auguste has a hard time performing the given task which leads to funny situations. Sometimes the auguste plays the role of an anarchist and purposefully has trouble following the whiteface's directions. Sometimes the auguste is confused or is foolish and is screwingup less deliberately.

Character Clown

The character clown adopts an eccentric character of some type,such as a butcher, a baker, a policeman, a housewife or hobo. Prime examples of this type of clown are the circus tramps Otto Griebling and Emmett Kelly. Red Skelton, Harold Lloyd, Buster Keaton, and Charlie Chaplin would all fit the definition of a character clown. The character clown makeup is a comic slant onthe standard human face. Their makeup starts with a flesh tone base and may make use of anything from glasses, mustaches and beards to freckles, warts, big ears or strange haircuts.

North American

The most prevalent character clown in the American circus is the hobo, tramp or bum clown. There are subtle differences in the American character clown types. The primary differences among these clown types is attitude. According to American circus expert Hovey Burgess, they are (in order of class):

  • The Hobo Migratory and finds work where he travels. Down on his luck but maintains a positive attitude.
  • The Tramp Migratory and does not work where he travels. Down on his luck and depressed about his situation.
  • The Bum Non-migratory and non-working.

Emmett Kelly was the preeminent clown of this type.

Emmet Kelly

Native American Clowning

Many native tribes have a history of clowning. The Canadian Clowning method developed by Richard Pochinko and furthered by his former apprentice, Sue Morrison, combines European and Native American clowning techniques.

In this tradition, masks are made of clay while the creator's eyes are closed. A mask is made for each direction of the medicine wheel. During this process, the clown creates a personal mythology which explores his or her personal experiences and innocences.

Clown Quotes

"I remain just one thing, and one thing only — and that is a clown. It places me on a far higher plane than any politician."
Charlie Chaplin, as quoted in The Observer (17 June 1960)

"A clown's makeup and character, that's all he has to sell. He loves and believes in that character."
Emmett Kelly, quoted in The Greeley Daily Tribune (21 June 1975)

"I don't want to be called "the greatest" or "one of the greatest". Let other guys claim to be the best. I just want to be known as a clown because to me, that's the height of my profession. It means you can do everything — sing, dance and, above all, make people laugh."
Red Skelton

Source: Wikipedia

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