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Frederic Chopin was born in the village of Żelazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830–31, he became one of many expatriates of the Polish "Great Emigration.
In Paris, he made a comfortable living as a composer and piano teacher, while giving few public performances. A Polish patriot, in France he used the French versions of his names and eventually, to avoid having to rely on Imperial Russian documents, became a French citizen. After some ill-fated romantic involvements with Polish women, from 1837 to 1847 he conducted a turbulent relationship with the French writer George Sand (Aurore Dudevant). Always in frail health, in 1849 he died in Paris, at the age of 39, of chronic pulmonary tuberculosis.
Chopin's extant compositions were written primarily for the piano as a solo instrument. Though technically demanding, Chopin's style emphasizes nuance and expressive depth rather than virtuosity. Chopin invented musical forms such as the ballade and was responsible for major innovations in forms such as the piano sonata, waltz, nocturne, étude, impromptu and prelude. His works are mainstays of Romanticism in 19th-century classical music.
Chopin's first professional piano tutor, from 1816 to 1822, was the respected, elderly Wojciech Żywny. Although the youngster's skills soon surpassed those of his teacher, Chopin later spoke highly of him. Seven-year-old "Little Chopin" began to give public concerts that soon prompted comparison with Mozart as a child, and with Chopin's contemporary, Beethoven. That same year, Chopin composed two polonaises, in G minor and B-flat major.
As a child, Chopin showed an intelligence that was said to absorb everything and make use of everything for its development. He early showed remarkable abilities in observation and sketching, a keen wit and sense of humor, and an uncommon talent for mimicry.
According to musicologist and Chopin biographer Zdzisław Jachimecki, comparison of the juvenile Chopin with any earlier composer is difficult because of the originality of the works that Chopin was composing already in the first half of his life. At a comparable age, Bach, Mozart and Beethoven had still been apprentices, while Chopin was perceived by peers and audiences to be already a master who was pointing the path of the coming age.
Chopin, according to Arthur Hedley, "had the rare gift of a very personal melody, expressive of heart-felt emotion, and his music is penetrated by a poetic feeling that has an almost universal appeal.... Present-day evaluation places him among the immortals of music by reason of his insight into the secret places of the heart and because of his awareness of the magical new sonorities to be drawn from the piano.
His works are mainstays of Romanticism in 19th-century classical music. Several of Chopin's pieces have become very well known—for instance the Revolutionary Étude (Op. 10, No. 12), the Minute Waltz (Op. 64, No. 1), and the third movement of his Funeral March sonata (Op. 35), which is often used as an iconic representation of grief. Source: Wikipedia